Friday March 7, 2025

IWD Agency Leaders Jo McAlister, Batoul Peters, Sheryl Marjoram, Marilla Akkermans, Virginia Hyland, Jacquie Alley and Bronte Howard - International Women's Day
‘The glass ceiling hasn’t shattered, it’s just gotten more nuanced’: Media and creative agency leaders on International Women’s Day

By Alisha Buaya

Virginia Hyland, Jacquie Alley and Bronte Howard are among the leaders who shared their thoughts on women in the media and creative agency landscape.

International Women’s Day (IWD) celebrates the social, economic, cultural, and political achievements of women and embraces a world free of bias, stereotypes, and discrimination. A world that’s diverse, equitable, and inclusive.

For Australia’s media and creative agency leaders, the occasion serves as a reminder for the importance of closing the gender pay gap, recognising your own strength and potential, supporting women in the industry and the wider importance of diversity, inclusion and equality in the workplace.

Women leaders from across Adland shared their thoughts, words of wisdom and outlooks on womanhood in the industry with Mediaweek.

IWD - Jo McAlister CEO Initiative hi res preferred

Jo McAlister

Jo McAlister, chief executive officer, Initiative Australia

What was the best piece of advice you have been given in your career, who was it from, and why has it been so invaluable?

‘Be yourself, because everyone else it taken’ It’s an Oscar Wilde quote that was said to me by the late Helen Kellie, chief content officer SBS. Throughout my early part of my career, I unintentionally wore a corporate mask but now confidently I have removed my mask and what you see is definitely what you get. Authenticity is key to who I am.

Throughout your career, have you seen a big shift in the representation of women in the industry?

Absolutely! I am surrounded by strong impressive senior women at Mediabrands and in the industry, they have become my tribe. I particularly gravitate to senior women who I see genuinely support other women.

How is your organisation and the broader industry tracking in terms of diversity and inclusion?

Mediabrands is tracking very well, and the industry is demonstrating strong intention at MFA level. At Mediabrands we’ve worked hard over the last five years to integrate inclusion into our existing people practices, policies and culture and we are connecting with our clients’ goals and communities too. DEI must evolve past tactical and compliant implementation – that’s right of entry nowadays– so our teams are working towards industry level impact. We’re couldn’t do this without our PAMs (our Period and Menopause Mates), our PRIDE network, our RAP Committee and our Ability Advocates. Big shout out for these volunteers at Mediabrands!

What small but impactful ways do you challenge gender bias and inequality in your daily life to empower yourself?

As a society we expect women to work like they don’t have children and raise children as if they don’t work. This is insane. As a working mum, I practice the culture of ‘leaving loudly’ for all parents. At Mediabrands we celebrate flexibility acknowledging that life happens around our work commitment.

What piece of advice would you give young women navigating the industry?

My mum recently passed away and part of her legacy to me was her life advice which can translate to my career.  Some of her wisdom was don’t change yourself to fit in when it goes against who you are, be vocal if you feel uncomfortable and our male colleagues can be some of our biggest supporters.

What do you think 2025 holds for DEI in the industry?

We are one of the luckiest industries working with our media partners and their content, amazing clients and their brands. I keep thinking how can we unite to create more impactful and purposeful change not just in our industry but across the country because of the audiences we can influence together. Certainly the big wake up we’ve had with organisations rolling back their DEI, is checking in for where we should have been now – to have this already embedded – and how do we bring the detractors along too?

Batoul Peters, Vinyl Media

Batoul Peters

Batoul Peters, head of commercial operations, Vinyl Media

What was the best piece of advice you have been given in your career, who was it from, and why has it been so invaluable?

The best advice I have ever received was from the first feminist I ever met and knew, and that was my father. In the very early days of my career he gave me a lot of unsolicited advice, which I never really understood the value of until I was in scenarios where his voice would pop into my head and then it would all make sense.

One of his wisdoms was “when you are out there, you are only competing with yourself”.  I didn’t quite understand at the time in my early 20s what he meant by it, but as I progressed through my career and life, I realised that my measure for success is how well I applied myself and the choices I made when I show-up in any scenario.

Throughout your career, have you seen a big shift in the representation of women in the industry?

Yes and No.

Are there more women in leadership roles now than versus 15/20 years ago – YES. and it’s great.

However, Women are not a monolith, we are shaped by our culture, heritage, age, sexuality, lifestage and so much more. So what I hope to see is more women in leadership roles with unique birth names, more women of colour, more women who have a rich ethnic history, whose parents don’t speak english, who had to navigate life through a very different lens to the current pool of talent at the top. More representation please.

How is your organisation and the broader industry tracking in terms of diversity and inclusion?

The broader industry from an employee perspective has certainly embraced more inclusivity and representation in their workplaces. I know this anecdotally from my time in the industry these past two decades and the diverse range of people I get to meet and work with. It makes for better and stronger output as a collective we are more representative of the Australian population. There is no doubt still more room for improvement.

In terms of brands, it’s evident they are embracing a more diverse approach of what consumers look like today. However, brands are at a crossroads that their version of representation is starting to feel one dimensional – almost a stereotype of the groups. I would like to see more brands embrace a multidimensional view of people.

What small but impactful ways do you challenge gender bias and inequality in your daily life to empower yourself?

The way I challenge inequality or gender bias is by drawing attention inwards to the unconscious bias I place on myself based on other people’s expectations of me. I make the effort (almost daily) to remove the labels I assume, and rather than showing up as a “what” I show up as a “who”. I am just me.  This type of reframing has helped me walk into conversations with more confidence as I am not concerning myself with what others think I should be.

What piece of advice would you give young women navigating the industry?

Back yourself. Be loud, be assertive, be bold. Understand that haters won’t ever change and you will come across them at all stages of your career – SO just get busy being happy, Live well and spread your wings.

What do you think 2025 holds for DEI in the industry?

Taking a leaf out of Jade Axford’s recent article in Mediaweek – I want to champion her suggestions on  what our industry could be doing more of:

 Ensure Pay Equity – Conduct pay audits and close the gaps.
 Invest in Women Leaders – Create mentorship and sponsorship programs.
 Redefine Workplace Policies – Offer real flexibility and equitable parental leave.
 Champion Authentic Representation – Tell better, more inclusive stories.

Sheryl Marjoram - DDB Sydney - IWD

Sheryl Marjoram

Sheryl Marjoram, chief executive officer, DDB Group Sydney

What was the best piece of advice you have been given in your career, who was it from, and why has it been so invaluable?

From my father who told me that when, as a leader, you see something that doesn’t make sense to you, rather than immediately judging it as silly/wrong/stupid, to instead stay open and think on the context that made that decision right. It opens up the aperture of possible solutions, makes you more humble to the pits of having to decide things, and more inclusive of all the people and circumstances you might want to consider before you make your final decision.

Throughout your career, have you seen a big shift in the representation of women in the industry?

Definitely. I grew up in account management which I believe – of all the departments –  has always had the best representation of women generally but no doubt we are seeing progress in leadership. When I first became a CEO – it was only 2021 – I had very few peers. Now, Lea Walker hosts a regular lunch with a bunch of us female CEOs and it’s hard to get a table big enough when all can attend. That said, there clearly is still under representation in executive positions, which is a significant factor contributing to the overall pay gap. We need more intentional change across a broad range of systemic issues.

How is your organisation and the broader industry tracking in terms of diversity and inclusion?

I’d rather comment on my efforts versus the industry, if I may. These issues are extremely complex, and both the questions and the answers cut across so many other commercial aspects of the business than just DEI strategies. I would not want to comment on something I don’t have a full understanding of. When it comes to DDB Sydney, thanks to admittedly blunt tools like the gender pay gap, we know exactly how we are tracking on gender diversity. Such tracking tools keep everyone honest, however, other diversities are more complicated given data protection doesn’t allow tracking on all aspects of diversity. Having said that, I don’t need data to tell me that we can do better and more.

What small but impactful ways do you challenge gender bias and inequality in your daily life to empower yourself?

Related to my life right now I am not facing anything that could be considered more than unconscious bias. So I find it really helpful to think ‘cock up, not conspiracy’. It allows enough grace for people to walk back on what they’ve said or done and take on their own learnings. Being consistent also really helps.

What piece of advice would you give young women navigating the industry?

Match my volume ladies. Come and get me.

What do you think 2025 holds for DEI in the industry?

No doubt the economic and political climate is making it harder to assume DEI is a focus for many. Both of these things impacting the people who are thought of last is real. If you think first of a mother, then a single mother, and then a single mother with a sexual, racial, or disability ‘other’, you can see how the invisible yet constant mental load increases.

Getting the ‘opportunity’ of a position is not the end, it’s the beginning. We have to find ways that allow for the mental load that these women are carrying in with them every minute of the day. It is a huge factor when you get to the creative departments of our industry where having capacity to think clearly and dynamically is vital to one’s ability to become a leader. Staying fully cognisant to all the aspects of what makes this fight for equity more difficult than it appears will be urgent if we want to change the shape of our agencies.

IWD - Marilla Akkermans, founder, Equality Media & Marketing

Marilla Akkermans

Marilla Akkermans, founder, Equality Media & Marketing

What was the best piece of advice you have been given in your career, who was it from, and why has it been so invaluable?

A career is such a long time that I don’t think there can be one piece of advice that you crown as the best piece of advice. As you grow and learn, there are pieces of advice that are so relevant to that moment. One ethos that I try and live by and bring into my career is treat people how you would like to be treated. So simple and yet so many people don’t do it.

Throughout your career, have you seen a big shift in the representation of women in the industry?

I don’t think so. It’s been an industry powered by women the whole time I’ve been in it. I think where I have seen change is that women are more outspoken about their careers and desires to do well and move-up, and we have seen a growing propensity to be heard. There are more women in the industry than ever before, and we see female leaders at the table—but the glass ceiling hasn’t shattered, it’s just gotten more nuanced.

Women are still less likely to be promoted despite outperforming their male colleagues. We’re still making less money over our careers, still doing the bulk of unpaid labour, and still navigating industries that were not designed with us in mind. The shift is happening, but at a glacial pace. Real change will come when representation isn’t just about numbers but about influence—when women aren’t just in the room but are shaping the agenda.

How is your organisation and the broader industry tracking in terms of diversity and inclusion?

We are actively making policy that specifically empowers women to succeed at work. Our four-day workweek at full pay, our additional leave entitlements that reflect real-life needs (from menopause leave to gender affirmation leave to grandparent leave), keeping hybrid work models and our refusal to settle for the status quo are all about creating an environment where people—especially women—can thrive. 80% of our senior leadership team is women, which more closely aligns with the fact that 70% of the media’s workforce identify as women. But the broader industry? Progress is patchy. Many organisations are still treating diversity and inclusion as a PR checkbox rather than embedding it into their culture. True inclusion isn’t just about hiring more women or issuing a press release on International Women’s Day. It’s about rethinking the way we work, from pay structures to promotion pathways to workplace policies that actually work for everyone.

What small but impactful ways do you challenge gender bias and inequality in your daily life to empower yourself?

I’m a female business owner, so I feel like every morning when I get out of bed I’m empowering myself! Women founders account for 34% of all Australian businesses, and that number is growing, which I’m also inspired by. There is no rule book or silver bullet, it’s one foot in front of the other and to remember to stand for what you think is right. Sometimes it’s not what you say but what you do (or don’t do sometimes) that can speak volumes.

What piece of advice would you give young women navigating the industry?

Don’t give up and don’t give in to who people tell you to be. You’ll have to work harder than your male counterparts to keep progressing in your career and at times things will be incredibly frustrating. But get yourself some personal goals that you can go back to and refer when it feels like you’re not moving forward. I promise you are and all that extra hard work is making you way smarter, and good people can see that.

What do you think 2025 holds for DEI in the industry?

I’m nervous, because there is a lot of dangerous, unfounded opinions being flung around that are degrading the importance of DEI. DEI is hard, any change is hard but it is imperative to our success as human beings to respect all people in our community as equal. And the least the corporate community can do is respect and positively impact change through DEI.

Virginia Hyland, chief executive officer, Havas Media Network

Virginia Hyland

Virginia Hyland, chief executive officer, Havas Media Network

What was the best piece of advice you have been given in your career, who was it from, and why has it been so invaluable?

Brendon Cook, who built the Ooh! empire from a small team of 20 people in the early 2000s, once shared with me a piece of advice that has stayed with me ever since: “Do you know who succeeds in business? Those who never give up… no matter how difficult the challenges may seem.”

Those words became a guiding principle during some of the toughest times in my career — particularly during the Global Financial Crisis in 2009, when the road ahead felt impossible to navigate. Holding onto even the smallest glimmer of hope, I used that period to dig deep, rethink my agency’s offering, and find new ways to create value for our clients.

At the time, many brands were struggling with the high costs of reformatting global creative assets to suit local markets, so we built a team and product suite that made the process faster, more efficient, and affordable. This pivot not only helped our clients but became the foundation of a new social and creative arm within the agency — one that focused on delivering the right message, in the right format, through the right channels, rather than simply pushing media strategies.

That evolution helped propel the agency to become one of the most successful independent media agencies of its time.

Throughout your career, have you seen a big shift in the representation of women in the industry?

Absolutely, and something I’m incredibly proud of. Media agencies are the newest generation of agencies, having only truly emerged in the 1990s — which means we’ve built a different kind of legacy.

In Australia, more than half of media agency CEOs are smart, successful, hardworking, and highly capable women. Our industry body, the Media Federation of Australia, is led by a female CEO, with equal gender representation on the board — a reflection of the incredible female talent shaping the future of our industry.

Championing women has always been a personal passion of mine. I’ve seen firsthand how women can sometimes question if they’re good enough — a self-doubt that can hold us back. I’ve helped women tap into their inner Cleopatra persona — that powerful, confident version of themselves — to approach career conversations with a mindset of self-belief. The truth is, if you’ve worked hard to get to where you are, you deserve to be there. We need to stop shying away from conversations that support our growth and own the value we bring to the table.

How is your organisation and the broader industry tracking in terms of diversity and inclusion?

There is now greater awareness across all levels of leadership about the importance of diversity, equity, and inclusion — and a stronger commitment to driving meaningful progress. In today’s digital and social era, poor behaviour is called out louder and faster than ever before, holding companies to a higher standard. This spotlight is pushing businesses to prioritise creating equitable, supportive workplaces where everyone can thrive.

At Havas, we’re incredibly proud of the diverse makeup of our team. Around 40% of our people come from non-Australian born backgrounds — represented across every level, including our most senior executive leadership roles. We’ve built a culture that champions flexible working, actively promoting women returning from parental leave into leadership positions and supporting part-time roles. We also recognise that parenting is not a female-only responsibility — our industry-leading policy empowers men to take extended primary carer leave, ensuring equal access to family care responsibilities.

Diversity, equity, and inclusion aren’t just policies — they’re embedded in our culture. Our Strategy Director, Luisa Dalli, represents us on the MFA DE&I Council, advocating for industry-wide change. We regularly share our stories and perspectives in the media to celebrate the power of diverse leadership. Across Havas Village, we have comprehensive DE&I policies in place — spanning age, gender, ethnicity, and salary benchmarking — to create a level playing field where every individual is supported to reach their full potential.

What small but impactful ways do you challenge gender bias and inequality in your daily life to empower yourself?

I’ve long been passionate about holding both our agency and the wider media industry accountable for how we show up — not just in the work we do, but in how we create a fair and inclusive workplace. As a board member of the Media Federation of Australia, I challenged my counterparts in the early days when the annual salary census consistently showed women were being paid less than men for the same roles. I pushed agencies to look inward at their internal promotion processes, reminding them that no agency wanted to be the one holding back equal financial recognition. Over time, we’ve made significant progress — today, pay parity is now the standard across all MFA member agencies, both global networks and independents.

My biggest piece of advice is this: if you see something unjust or unreasonable, it’s on all of us to speak up and push for change. Choosing to stay silent only helps perpetuate the problem for future generations. Bravery and leadership aren’t reserved for those with titles — they exist at every level. If something isn’t right, don’t just talk about it around the water cooler — bring your ideas forward, challenge the status quo, and help create solutions. Our industry will only thrive if we continue to build workplaces that are Everybody’s Home.

What piece of advice would you give young women navigating the industry?

Find your voice — no matter what — and give it a go. Life is a long adventure to be embraced, and the greatest regret is holding back because you don’t think your voice will be valued or heard. I’ve always found it heartbreaking when someone on my team makes a decision based on self-doubt rather than speaking up. The truth is, you’ll never know the impact you can make until you’re brave enough to start the conversation.

Leave no stone unturned. If you don’t get what you need, use that moment to take action and carve out your own path. Often, I’ve seen conversations where everyone walks away with a completely different narrative in their head. The internal stories we tell ourselves can either fuel our confidence or chip away at it. When negative thoughts creep in — and they will — it’s crucial to rewrite your own narrative. Replace self-doubt with positive, affirming messages like: You’ve got this. You’ve put in the work. You know your stuff. This is your industry.

Think of it as a mental workout — just like physical exercise, it takes practice to build stronger mind muscles. The more you train your inner voice to speak with kindness and confidence, the quieter the negative thoughts become.

What do you think 2025 holds for DEI in the industry?

Step by step, we are making progress towards a more inclusive and equitable future. The media industry has a bright future — one where everyone, from every walk of life, feels supported, valued, and included. But there’s still work to be done — and it’s up to all of us to drive that change. We can’t wait for someone else to lead the charge — we are the collective force that will shape what comes next.

If we don’t use our voice to advocate for a better future, then who will?

IWD - Jacquie Alley

Jacquie Alley

Jacquie Alley, chief operating officer, The Media Store

What was the best piece of advice you have been given in your career, who was it from, and why has it been so invaluable?

Don’t be in a rush. Your career is a marathon, not a sprint, particularly these days when we are going to need to work until much older than previous generations did. Take accountability for your own learning and development, curiosity and courage are muscles that need to be practiced, and start doing the next role before you get the title or salary.  This advice was from a previous manger, Helen Karabassis, and it was so invaluable as it fights against our desire for instant gratification and builds resilience and perseverance.

Throughout your career, have you seen a big shift in the representation of women in the industry?

Media has always skewed female. I’ve had colleagues tell me it’s partly because women two decades ago were diverted from their dreams of being creatives to the perceived unsexy roles in the media team. It’s not the representation of women in media agencies that I’ve seen shift throughout my career but it’s the emergence of the unique value and representation of senior leaders which is exciting. To see the next generation of women have positive role models of what an authentic female leader can look like is no doubt changing the industry for the better.

How is your organisation and the broader industry tracking in terms of diversity and inclusion?

The Media Store has always enjoyed a diverse workforce, with a tapestry of different cultural backgrounds and age ranges in particular. We have worked hard to achieve an equal-gendered senior leadership team and our wider team reflects the female skew of the industry. We are proud of the experience that sits within the agency with 30% over 50 years of age, which the broader industry is still tackling in terms of ageist biases and inflexible approaches to flexibility as different stages of life require new approaches. At The Media Store we strive for connection and belonging, which goes deeper than simply ensuring everyone is included.

In terms of the broader industry, I would say there is great intent yet there is a nervousness about what is the right thing to do. Take IWD – businesses want to celebrate their women yet don’t want to make it tokenistic or cover over the underlying issues so they aren’t sure what to do. The same thing for reconciliation, how can we go beyond acknowledgment of country to respectful consultation so that our industry is a place where more Aboriginals would flourish. DE&I is a complex and emotionally charged area so many stay in the safe zones, not courageous enough to have the tough conversations and work towards meaningful change.

What small but impactful ways do you challenge gender bias and inequality in your daily life to empower yourself?

A small thing I’ve noticed recently is that women are more likely to move aside to allow others to walk past whereas men stay on the path. It was a recent observation on my morning walks (yes I know, a sample of one!). So I’ve been testing what happens if I don’t weave or move aside but walk straight ahead. I’ve realised it doesn’t come easy but is quite empowering to value myself in that small moment.

Being a mother of four boys I do feel a responsibility to point out inequality or a casual misogynist comment when we are together so that their awareness is heightened. A recent discussion where I shared how I am always looking for an exit path or holding my phone when out alone was fascinating as that is not their experience – but it hopefully increased their understanding and empathy.

What piece of advice would you give young women navigating the industry?

Be confident in your strengths, the unique value you bring. We often skirt around saying what we really need and get in our own heads, playing out the worst case scenario. But what if we flipped that – what if it all works out? What if you walked in confident?

What do you think 2025 holds for DEI in the industry?

Despite what’s happening in the US, I don’t think DE&I will be put on ice here. However I do think some previously unsaid things may rise to the surface and my hope is that leads to respectful debate and a reset of what’s important to each organisation, that leads us forward authentically. I hope it becomes more purposeful and personalised.

IWD - Bronte Howard - The Pistol

Bronte Howard

Bronte Howard, account director, The Pistol

What was the best piece of advice you have been given in your career, who was it from, and why has it been so invaluable?

“If you don’t ask, the answer will always be no.” This was something my first boss told me, and it has shaped the way I approach my career. Whether it’s asking for a promotion, pushing for a project you believe in, or negotiating pay, speaking up is the only way to drive change for yourself. It’s a simple mindset shift, but one that’s been invaluable in helping me and the women I work with advocate for what we deserve.

Throughout your career, have you seen a big shift in the representation of women in the industry?

I’ve been fortunate to work in female-led businesses throughout my entire career – an active choice I make when deciding where to work. Over the years, I’ve seen more women stepping into senior roles and advocating for better financial compensation, which is an important shift. There’s still work to be done, but it’s encouraging to see more women actively pushing for the positions and pay they deserve.

How is your organisation and the broader industry tracking in terms of diversity and inclusion?
Our leadership team is currently 65% female, with the most senior roles in the business held by women. That’s something to be proud of, but it’s important to keep momentum going and ensure diversity isn’t just a statistic – it should be reflected in opportunities, pay equity, and representation across all levels. More broadly, the industry has made progress, but there’s still a gap when it comes to intersectionality and ensuring diverse voices are truly heard and valued.

What small but impactful ways do you challenge gender bias and inequality in your daily life to empower yourself?
I lead by example. I reject the idea that women need to soften their approach to be more “palatable”. I’ve always been direct, and throughout my career, I’ve been told to tone it down – something I doubt a man in my position would hear. So I push back against those biases by staying true to my approach and advocating for women on my team to do the same. I also make a point of amplifying the voices of women who haven’t yet found the confidence to speak up.

What piece of advice would you give young women navigating the industry?
Don’t wait for permission – ask for what you want. There’s more opportunity than ever, but you have to claim your space. Be clear, be direct, and don’t be afraid to challenge expectations. Whether it’s negotiating your salary, pitching an idea, or going for a leadership role, back yourself and make your ambition known.

What do you think 2025 holds for DEI in the industry?
I hope we see more collaboration and accountability – particularly from men. Women have carried much of the conversation around diversity and inclusion, but real change requires everyone to step up. I’d love to see more men advocating for gender equity in hiring, pay, and leadership representation, rather than leaving it solely to women to push for progress.

Top image: Jo McAlister, Batoul Peters, Sheryl Marjoram, Marilla Akkermans, Virginia Hyland, Jacquie Alley and Bronte Howard

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Where to find all the latest updates on Tropical Cyclone Alfred

By Natasha Lee

Networks are working around-the-clock to roll out extensive coverage to keep audiences informed.

As Tropical Cyclone Alfred intensifies, Queenslanders are bracing for severe weather conditions, with forecasts warning of damaging winds, heavy rainfall, and potential flooding.

With the storm expected to impact the state’s southeast in the coming days, networks are working around-the-clock to roll out extensive coverage to keep audiences informed.

ABC

As always, the first point of call should be the national broadcaster, with ABC Emergency to broadcast regular warnings on ABC Radio.

List of stations

  • Brisbane: 612 AM and Digital Radio
  • Gold Coast: 91.7 FM and Digital Radio
  • Sunshine Coast: 90.3 FM or 95.3 FM
  • Lismore, Tweed and surrounds: 94.5 FM
  • Grafton and surrounds: 738 AM
  • Coffs Harbour and Mid-North Coast: 92.3 FM and 684 AM
  • Port Macquarie: 95.5 FM
  • Taree: 756 AM

If you don’t have a wireless you can listen for free on the ABC Listen App. The broadcaster will also continue its live and rolling coverage on both the main channel and the ABC News channel.

Seven

The Seven Network’s 7NEWS is providing comprehensive coverage of Cyclone Alfred, with extended afternoon news bulletins commencing at 4:00 pm AEST.

That edition will be extended by an hour, with rolling updates from reporters stationed across the impact zones.

Max Futcher and Katrina Blowers will then lead special editions of 7NEWS Queensland to provide real-time insights. They will be joined by meteorologist Tony Auden.

Sunrise will also broadcast an extended edition from 4:30 am AEST today, with Matt Shirvington hosting from the Gold Coast. The Morning Show and Seven’s National News at Noon will be broadcast live into Queensland. Rolling emergency coverage is already underway in the Sunshine State.

A special 7NEWS: Tropical Cyclone Alfred will air at 7:30 pm AEST, providing ongoing updates for Queensland viewers.

Broadcast times

  • 4.30am – 9.00am Sunrise
  • 9.00am – 11.00am The Morning Show
  • 11.00am – 12.00pm Seven’s National News at Noon

For more information visit 7News.

Nine

Nine Network’s 9News Queensland and TODAY, in partnership with 4BC radio and the Brisbane Times, are providing continuous coverage of Cyclone Alfred’s progression. The collaborative effort aims to deliver up-to-the-minute information on the cyclone’s trajectory, affected areas, closures, and emergency plans. The coverage will include analysis from the Bureau of Meteorology, as well as updates on State Government safety measures.

As TV Blackbox reports, the network will have live coverage on the ground across South-East Queensland and Northern New South Wales, 9News Queensland presenter Melissa Downes9News Queensland weather expert Garry Youngberry9News Gold Coast weather, beach and coastal expert Luke Bradnam9News Queensland 4pm presenters Alison Ariotti and Aislin Kriukelis, along with 9News reporters Tim ArvierEbony CavallaroJosh Bavas and Clare Todhunter, will provide graphic coverage in special bulletins as events across the region unfold.

4BC Radio will provide continuous live coverage of Cyclone Alfred, keeping listeners informed across all programs. Coverage kicks off with 4BC Breakfast hosted by Peter Fegan, followed by in-depth analysis and updates throughout the day from Bill McDonaldSofie FormicaGary HardgraveJason Matthews, and Dean Miller.

The Brisbane Times will also add full coverage of Cyclone Alfred, with live online updates and breaking news breaks.

Ten

10 News First will provide rolling coverage, beginning with 10 News First Lunchtime at 12 pm AEST, hosted by Narelda Jacobs, featuring network meteorologist Josh Holt for expert analysis. Sharyn Ghidella10 News First Queensland news presenter, will continue live coverage from 1 pm AEST, with live reports from affected areas and weather analysis from Liz Cantor10 News First Queensland weather presenter. 10 News First 5 pm bulletins will be live across all markets, and 10 Late News at 10:30 pm AEDT will provide a final update.

The network will also have a team of reporters positioned in areas expected to be most affected by the cyclone.

• Georgina Hill will be stationed at the point of landfall to track the cyclone’s eye.

• Pippa Sheehan will report live from the Brisbane CBD.

• Liz CantorBrendan Smith, and Tiarni Reid will report live from the Gold Coast.

• Matt Johnson will be positioned from the southern end of the Gold Coast, covering areas around Currumbin to Point Danger.

• Josh McLean will be reporting live from Emergency Management Queensland Headquarters in Kedron.

• Jade Richards will be mobile, covering Sunshine Coast, Bayside Brisbane, or Bribie Island depending on the storm’s movement.

• Chris Campey will be live from Northern NSW.

Picture: Nullschool Technologies

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adtech
The future of adtech in APAC: Privacy, omnichannel and the rise of the superfan

By Emma Shepherd

Rishi Bedi: ‘You have one-tenth of a second to capture a consumer’s attention before they scroll past.’

The digital advertising landscape is shifting rapidly. Between increasing privacy regulations, the decline of traditional identifiers, and the fragmentation of media channels, advertisers are being forced to rethink their strategies — fast.

To make sense of it all, Mediaweek sat down with Rishi Bedi, managing director APAC at Ogury, to discuss the biggest challenges and opportunities for advertisers, media buyers, and adtech players in the region.

Navigating a world without identifiers

For years, advertisers have relied on identifierscookies, mobile IDs, and tracking technologies, to reach audiences with accuracy. But as privacy regulations tighten and tech giants like Apple and Google restrict tracking, the industry is facing a reckoning.

“There are two major forces at play right now,” Bedi explains. “Governments are rolling out stricter data privacy laws, and at the same time, companies like Apple and Google are limiting tracking on their platforms. This has led to a surge in alternative solutions, particularly alternate IDs. But the reality is, there is no single dominant ID replacing what we have lost, so advertisers need to rethink their approach entirely.”

Rather than chasing a patchwork of alternate identifiers, Ogury is betting on a privacy-first approach called personified advertising, which shifts the focus from tracking individuals to targeting personas based on self-declared, consented data.

“At Ogury, we do not target individuals, we target personas,” says Bedi. “By understanding how different audience groups engage across various channels, we can build a scalable and sustainable advertising strategy without relying on traditional identifiers.”

Finding a strategy that works

With consumers engaging across an average of 5.8 different channels, omnichannel marketing is not just a buzzword, it is essential. But how do brands avoid audience duplication while still reaching the right consumers at scale?

According to Bedi, the biggest mistake advertisers make is falling into what he calls the lazy planner approach.

“Many brands default to spending the bulk of their budgets on the biggest media platforms, think YouTube, major owned-and-operated operators, and social media,” he says. “But this leads to massive audience duplication and wasted spend.”

Instead, he advocates for a more balanced approach, where advertisers leverage the open internet alongside the walled gardens to maximise reach and avoid reliance on any single platform.

“It is not about abandoning the walled gardens completely,” Bedi clarifies. “It is about diversifying your strategy to ensure you are reaching audiences in more sustainable ways, without putting all your eggs in one basket.”

Privacy regulations: The moving target for advertisers

The evolution of data privacy laws across APAC presents another major challenge.

“Every six months, regulations are changing,” says Bedi. “It is both a challenge and an opportunity, it forces companies to adapt quickly and rethink their long-term strategies.”

While many markets look to Europe’s GDPR as a blueprint, APAC is a patchwork of different policies. Australia, for example, is leading the charge with ongoing reforms to the Privacy Act, while other markets like Indonesia, Singapore, and Japan are at different stages of enforcement.

“Advertisers cannot afford to take a one-size-fits-all approach,” Bedi warns. “A global strategy will not work, you need market-specific solutions that align with local regulations.”

What’s next for adtech in APAC?

Looking ahead, privacy-first solutions, better audience intelligence, and more sophisticated omnichannel strategies will define the next era of digital advertising.

Bedi predicts continued growth in video advertising, particularly across CTV and OTT platforms.

“More advertisers will shift spend from YouTube to ad-supported OTT platforms,” he says. “But the key challenge will be figuring out which platforms deliver the best audience engagement and measurement capabilities.”

With ad saturation at an all-time high, creativity and relevance will be key.

“You have one-tenth of a second to capture a consumer’s attention before they scroll past,” Bedi explains. “That means better creative, better formats, and better sequencing across channels, not just bombarding them with the same ad everywhere.”

Location intelligence will also become a bigger focus, particularly for brands looking to connect with consumers at key moments in their journey.

“Brands are already using location-based targeting to drive in-store visits, whether it is an automotive brand targeting users near a dealership or a retailer connecting with shoppers near a store,” Bedi says.

The future of advertising in a privacy-first world

The industry is at a crossroads. The old playbook, tracking users across the web with cookies and IDs, is fading fast.

“The future of adtech is about balancing scale with privacy,” says Bedi. “Advertisers need to move away from short-term solutions that keep changing every six months and invest in long-term, sustainable strategies that will hold up for the next five to ten years.”

For media buyers, the message is clear: embrace privacy-first strategies, diversify your omnichannel approach, and start thinking beyond traditional identifiers, because the future will not wait.

Key takeaways for media buyers

For media buyers, the game is changing fast. With cookies and mobile IDs on the way out, it’s time to ditch outdated tracking methods and lean into personified advertising and first-party data. When it comes to omnichannel, don’t just throw money at the biggest platforms, balancing walled gardens with the open internet helps avoid audience duplication and wasted spend.

Privacy laws across APAC are evolving quickly, so staying ahead of market-specific regulations is a must. Smarter engagement is the name of the game, with better creative, smarter sequencing, and more precise targeting making all the difference. And as ad-supported platforms take off, expect a shift in ad spend from YouTube to CTV and OTT.

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Publicis Groupe - Arthur Sadoun (1)
Publicis Groupe enters acquisition agreement with Lotame

By Alisha Buaya

Arthur Sadoun: ‘In the age of AI, the name of the game is connect or die.’

Publicis Groupe has entered into an agreement to acquire the independent identity solution, Lotame.

Lotame is one of the largest end-to-end data marketplaces in the world, spanning 109 countries. Its proprietary identity solution delivers consistent and relevant addressable audiences built on 100+ data sources and activated through more than 1.6 billion IDs, for over 4,000 of the world’s leading brands and publishers to leverage at scale and with precision.

The combined data and identity assets of Lotame and Publicis Groupe’s 2.3 billion global profiles will enable clients to reach 91% of adult internet users with personalised messaging at scale with even greater accuracy.

Concretely, Epsilon and Lotame, will put the leadership of identity-driven marketing in the hands of all our clients through:

• Expanded global identity: The combined footprint of Epsilon and Lotame will expand Groupe’s unique profiles to almost 4 billion, extending global coverage to more than 90% of consumers worldwide. This scale combined with unmatched breadth and depth of data allows marketers to find and activate against the right audiences with even greater accuracy, to engage their consumers in more relevant and meaningful ways.

• Talent and expertise: Lotame’s 19 years of earned data expertise and trusted innovation, coupled with its team of experts across data and identity, will power global and local-market product development, supported by dedicated engineering, partnerships, and operations specialists.

• Regional product focus: Lotame will drive APAC and EMEA expansion of Epsilon, continuing to work with publishers, data partners, and brands across the regions. Lotame’s identity solution brings critical interoperability and data connectivity to digital marketers everywhere.

‘A rich history of innovation’

Lotame is led by founder and CEO Andy Monfried, and the company will be positioned as part of Epsilon, accessible to all the holding company’s clients and teams to enhance their ability to deliver personalised marketing services at scale.

Arthur Sadoun
, chairman and CEO Publicis Groupe commented: “In the age of AI, the name of the game is connect or die. By connecting Lotame to Epsilon, we’re reinforcing our industry-leading identity graph, giving clients the unique competitive advantage of seeing and engaging with 91% of all adults who use the internet, safely and transparently.

“By connecting that best-in-class identity to our clients’ data thanks to AI, and leveraging it across their marketing spectrum, from their PESO media ecosystem to content production, all in their owned environments, we are truly delivering measurable outcomes for their business.

“It’s how we are making CoreAI a reality, and how we’ve built a category of one for Publicis that means today we are the world’s largest advertising group, leading the industry on every KPI.

“As we continue to invest in the products, services and talent that drive differentiation and growth for our clients, I couldn’t be happier to welcome Andy and the outstanding teams at Lotame on board.”

Monfried said: “We have a rich history of innovation, building out our global data marketplace and scaling our identity solution to become among the most trusted and adopted in the industry. We are beyond thrilled to join Publicis Groupe, who shares our commitment to industry interoperability, connectivity, and privacy. Together with Epsilon, we look forward to delivering the next chapter of connected identity for Publicis.”

Top image: Arthur Sadoun

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Emotive - Enchanteì
The future looks Rosé in Daniel Ricciardo’s new campaign via Emotive

By Alisha Buaya

Daniel Ricciardo: ‘It’s been nice to take my foot off the gas lately and now, with the launch of Enchanté Rosé alongside my friends at St Hugo, it really does feel like the future is looking rosé.’

Daniel Ricciardo and St Hugo have launched the latest instalment of its campaign for Enchanté Rosé, leaning into the former F1 champion’s new chapter post-racing, via Emotive.

The latest instalment comes off the back of the launch of DR3 x St Hugo wines at Dan Murphy’s and the Australian liquor store chain’s recent rebrand to Dan Ricciardo’s.

The independent creative agency’s campaign launched across social, digital and PR, sees content the eight-time Formula 1 Grand Prix winner embracing a newfound freedom, which is looking decidedly rosé thanks to the Enchanté life that he is living.

Shot specifically for social and launching alongside the Formula 1 Louis Vuitton Australian Grand Prix 2025, the Emotive campaign taps into Ricciardo’s natural charisma, cheeky energy, and sharp sense of humour.

The new Enchanté Rosé represents the perfect celebration of Daniel’s outlook on life – vibrant, magnetic and playful – accompanied by a lovely mineral line and accents of crunchy fresh red berries. The partnership between Ricciardo and St Hugo was first established in 2020 and sees Ricciardo’s life-long passion for wine turn into a winemaking reality. Not just a personal passion, Ricciardo worked closely with St Hugo’s Trina Smith and the team on all aspects of creating the wine’s shape, structure and flavour profile.

“It’s been nice to take my foot off the gas lately and now, with the launch of Enchanté Rosé alongside my friends at St Hugo, it really does feel like the future is looking rosé,” Ricciardo said of the campaign.

“Good wine, good company, and a little bit of French flair including another name change for Dan Murphy’s—what more could you want?”

Kelly Suhr, global head of fine wine at Pernod Ricard, said: ”This campaign is all about capturing the moment – as Daniel Ricciardo steps into a new chapter, we know the future is looking rosé and what better way to celebrate his new lifestyle than with the launch of Enchanté Rosé? Just like Daniel, this wine is bold, playful, and breaks conventions.

“For the second year running, we’re thrilled to be partnering with Dan Murphy’s, except this time we’re bringing Daniel’s signature wit & charisma to life by transforming Dan Murphy’s into ‘Dan Murphé’s, ultimately driving talkability and inviting a new wave of fine wine lovers to experience something fun, unexpected and truly unforgettable!”

Darren Wright, group creative director at Emotive, said: “When Daniel stepped back from Formula 1, everyone wondered what he’d do next. Turns out he was working on his new Rosé, kicking back and living his best life. To launch “Enchanté Rose’ and his partnership with Dan Murphy’s we wanted to tap into that conversation and have some fun with it.

“Which is totally on brand for Daniel and hugely appealing to his massive fan base. Taking a social-first approach for the whole Emotive-led production meant we could stay agile. And with our lead director Zane, the ideas just flowed, leading to an execution that everyone really enjoyed making”

Agi Pfeiffer-Smith, managing director at Dan Murphy’s, added: “We’re all about bringing the most exciting and innovative wine experiences to our customers. Partnering with St Hugo and DR3 Wines for Daniel’s launch of Enchanté Rosé is a real podium moment for us as it brings the fun, flair, and a bit of cheekiness to the table. And clearly Daniel knows how to pick a winner.

“During the store takeover for Daniel’s DR3 range, sales were over 10 times higher than usual, with all three wines racing into the top 25 red wine products. With Aussie rosé now leading the charge in wine growth, we’re confident Enchanté Rosé will hit the same high gear. It’s a wine that’s as adventurous and magnetic as Daniel himself and perfectly captures the spirit of summer.”

To celebrate the launch of Enchanté Rosé, St Hugo Wines has partnered with Dan Murphy’s, transforming its iconic South Melbourne store into ‘Dan Murphé from 14– 16 March, complete with Ricciardo’s face and a perfectly placed French moustache replacing the original 1950s Dan Murphy motif.

Emotive x Enchante

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Vinyl Group tunes into CD resurgence

By Natasha Lee

Alli Galloway: ‘Collectible formats not only enhance fandom but also offer artists a more financially impactful revenue stream.’

Everything old is new again … and not just when it comes to fashion.

Vinyl Group (which owns this publication) has announced the addition of CDs to its online retail offerings, a move spearheaded by chief marketing officer, Alli Galloway. This decision reflects a strategic response to the burgeoning demand for physical music formats, a trend clearly indicated by data from ARIA, RIAA, and Luminate.

Data driven

In an interview with Mediaweek, Galloway pointed to a clear shift in consumer behaviour, noting, “I closely track reports from ARIA, the RIAA, and industry analysts like Luminate, all of which confirm sustained growth in physical music sales, driven primarily by vinyl and, more recently, a resurgence in CDs and even cassettes.

Galloway noted the trend reflects a broader shift as fans, fatigued by digital consumption, seek tangible ways to deepen their connection to music.

“Collectible formats not only enhance fandom but also offer artists a more financially impactful revenue stream compared to streaming,” she said. The company, which also operates VamprJaxsta, and Serenade, is focused on providing tangible formats comes at the perfect time, given its overarching mission to empower creators with viable monetisation avenues.

Vinyl Group CMO, Alli Galloway.

Vinyl Group CMO, Alli Galloway.

The introduction of CDs is rooted in direct customer feedback and data-driven insights. “With a strong base of loyal, returning customers who provide valuable feedback, we prioritise meeting their expectations while maximising revenue opportunities for artists,” Galloway explains.

“Recognising this demand, we confidently introduced CDs as a collectible format,” she said.

Rise of the ‘superfan’

Vinyl Group’s data-driven approach ensures a targeted strategy, identifying key audiences for CD sales, with Rock and K-pop fans among the most engaged. Initially guided by distributor data and industry charts from ARIA, Billboard, and OCC, the company plans to refine its offerings based on customer insights.

Galloway says her perspective on the change has been shaped two decades of observing music consumption trends, emphasises the enduring power of the ‘superfan’.

“Having witnessed the evolution of music consumption over 20 years firsthand, one constant remains; fans follow their favourite artists, adapting their buying habits accordingly. The rise of the ‘superfan’ underscores this, representing those who consistently invest in artists through collectibles and merch. While CD sales have fluctuated, our decision to add them stems directly from demand. Does this continue to surprise me? Absolutely!”

Vinyl Group says the move underpins its commitment to adapting to evolving consumer preferences and maximising revenue streams for artists within the dynamic music marketplace.

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Meghan Markle’s Netflix debut sparks mixed reviews

By Natasha Lee

Chitra Ramaswamy: ‘The show vibrates with a vacuous, over styled joylessness.’

The reviews for Meghan Markle’s new Netflix show, With Love, Meghan, have been coming in thick-and-fast, and while the saying might go ‘there’s no such thing as bad publicity’, it’s safe to say that in this particular case … the idiom might not quite apply.

In the eight-episode lifestyle series, Markle showcases her cooking and gardening skills while spending time with celebrity friends. The show also offers a brief appearance from her husband, Prince Harry.

Critics have been bitterly divided over whether of not Meghan ‘I’m Sussex now’ Markle’s show lived up to the hype with some offering a brutal assessment of the former Suits star’s foray into the lifestyle sphere, while others were softer and even crediting the show with changing their opinion of Markle to a more favourable.

Let’s take a look, shall we?

A still from 'With Love, Meghan'. Netflix.

A still from ‘With Love, Meghan’. Netflix.

The bad

Anita Singh from The Telegraph called the show an “an exercise in narcissism” one that is “filled with extravagant brunches, celebrity pals and business plugs”.

“It is, to put it kindly, insane”, Singh added, before getting stuck into the format: “Meghan invites people to her pretend house – the show is filmed in an $8 million farmhouse down the road from her $14 million home – and they tell her how amazing she is.”

While The Guardian’s Stuart Heritage described With Love, Meghan as “the sort of gormless lifestyle filler that, had it been made by the BBC, would be used to bulk out episodes of Saturday Kitchen”.

Chitra Ramaswamy, from the same publication, was even more brutal, describing the program as one that is not only “tone-deaf” and “toe-curling”, but also one that “vibrates with a vacuous, over styled joylessness”.

Katie Rosseinsky from The Independent, called the show “queasy and exhausting”, one that “simultaneously strains for aspiration and relatability in a way that never gels”.

Perhaps, however, the most cutting remarks came from Camilla Tominay, also from The Telegraph (like Singh) who wrote that “If the Sussexes really were genuine working parents, they’d have a better idea of what it actually entails⁠”.

A still from 'With Love, Meghan'. Netflix.

A still from ‘With Love, Meghan’. Netflix.

The good

Yasmin Jeffery at the ABC meanwhile took umbrage with ‘scathing review after scathing review’ about the show, instead offering something slightly more diplomatic by writing “With Love, Meghan is the kind of show you put on your big screen while doing something else on your smaller screen”.

Bianca Betancourt at Harpers Bazaarwas so taken with Markl-, sorry, Sussex’s series that she even went on to compare to the likes if Ina Garten and Martha Stewart writing that  while “all the recipes look beautiful, but they still feel accessible for the regular person at home”.

Closer to home, Sunrise’s Edwina Bartholomew praised the show’s aesthetic, saying that it “feels like (an) Instagram algorithm on screen”.

The popular presenter even went on to call out the widespread bullying aimed at the former actress, writing: “The bullying Meghan has endured is on such an epic scale that it actually feels shameful. The show is saccharine. It’s very American. It’s also very watchable”.

Perhaps the most (if I may) ‘fan girl’ review of the show comes from The Nightly’s Clare Rigden who proclaims “Let the Martha Stewartification begin!”. One does  wonder however, if the passing of the baton involves a pit stop at the local penitentiary for full ‘Stewartification’ effect.

Rigden goes on to write that she was not only “charmed” but was “eating up” the “glorious escapism”.

As for this writer… well, the focus on aesthetic from a show which (apparently) celebrates ‘joy’ and ‘friendship’ is jarring. Markle exists in a world where, if she is not surrounded by a homegrown a boisterous bounty of fruit and vegetables, a mother can merrily skip down to the local farmers market and purchase all that is needed to satiate her bonnie brood.

In this climate. In this cost of living crisis.

But I digress. Escapism it is … one does wonder, however, how far Meghan ‘I’m Sussex now’ Markle and Prince Harry have in fact traversed to escape to confines of real life, as both clearly appear to instead be orbiting the Earth rather than inhabiting it.

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IWD - Fiona Ellis-Jones
Beyond IWD: What women in media really need

By Fiona Ellis-Jones, head of news and information, ARN

‘One thing is abundantly clear: we need to do more to achieve meaningful and sustainable change for women in our industry.’

As another International Women’s Day (IWD) approaches, it feels fitting to reflect on how far our industry has come, and how much further we still need to go.

After two decades in journalism leading national news teams across the country, one thing is abundantly clear: we need to do more to achieve meaningful and sustainable change for women in our industry.

That means moving beyond symbolic gestures, tokenism, and once a year conversations.

Our women continue to face significant challenges, including redundancies, diversification and misinformation. All this while we still struggle for equal representation and opportunity, particularly in senior leadership roles.

I speak as someone who has navigated the transition from commercial media to the ABC (then back again), and from the biggest metro market in the country (Sydney) to one of the smallest (Hobart). I’ve gone from mid-dawns and overnights to senior management, and from a single woman to a wife and mum of four.

I’ve witnessed firsthand the obstacles women face in media, across all platforms, all locations, and all levels.

Let’s be honest — fancy logos, morning teas, and female-led content opportunities make for great optics on March 8th, but they do little to address the systemic barriers women face all year round.

Women continue to be underrepresented in senior media positions. They face significant pay disparities, and they shoulder disproportionate family responsibilities that impact career progression.

In my years at both public and commercial media organisations I’ve watched as talented women hit invisible barriers as they’re overlooked for flagship bulletins, relegated to inferior timeslots, left to languish and stagnate or worse – slowly drift away from the industry they love altogether.

The pressures of an always-on news cycle, combined with caregiving responsibilities, create an impossible equation for many.

When I returned to work after maternity leave with my twins, one of whom was stillborn, I experienced firsthand how critical supportive workplace policies are to a woman’s professional survival.

I received maternity leave and bereavement care, I was allowed time to grieve and heal, and my job was kept open for me.

Media companies have a responsibility to implement concrete policies that support women and offer transparent pathways for progression at all stages of life. Flexible working arrangements are a given. So are mentorship programs with measurable outcomes, and yes — representation targets and quotas with accountability mechanisms.

Without these structural changes we risk IWD becoming just another marketing moment — something that makes us feel good every March, rather than what it could and should be: a catalyst for genuine reform.

Many of my best opportunities have come from women who saw potential in me before I recognised it myself. Mentors and industry legends like Sandy Aloisi and Helen Thomas, who gently guided me up the ladder when I didn’t think I was ready. Women supporting women.

The path towards gender equality requires commitment at every level: from boardrooms to newsrooms, hiring policies and promotion pathways, and it demands policies that address the realities of work and life, eliminate bias in hiring and progression, and create safe environments for women. It also requires male allies.

Our industry, our audiences, and our longevity depend on us getting this right.

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T-Mobile doubles down on ad tech with strategic buys

By Natasha Lee

JP Colaco: ‘The acquisitions mark a significant step forward in T-Mobile’s strategy to create truly transformative advertising solutions’.

T-Mobile has completed its acquisitions of Vistar Media, a leader in digital out-of-home (DOOH) advertising tech, and Blis, known for its privacy-focused ad solutions. The move strengthens T-Mobile Advertising Solutions (T-Ads), expanding its reach across multiple channels while enhancing targeting capabilities for brands.

By merging Vistar’s out-of-home expertise with Blis’s targeted, privacy-compliant data, T-Mobile aims to offer marketers a seamless, end-to-end advertising solution. The acquisitions position the telecom giant as a formidable player in the evolving ad tech landscape.

Serious player

The message is loud and clear: T-Mobile is no longer just a telco. It’s a serious player in the advertising arena, poised to leverage its vast user base and newly acquired tech to deliver a comprehensive, data-driven advertising experience. The industry should brace for a shake-up as T-Mobile positions itself as a key intermediary in the future of digital advertising.

Senior vice president and chief T-Ads officer, at T-Mobile, JP Colaco, has called the acquisitions “a significant step forward in T-Mobile’s strategy to create truly transformative advertising solutions that are built by marketers for marketers”.

Colaco added: “Advertising is at its best when it cultivates deeper, authentic connections between brands and consumers. With the addition of Vistar and Blis, T-Mobile has an incredible opportunity to deliver this experience along the customer journey with privacy-centric solutions that drive targeted, measurable outcomes.”

Senior vice president and chief T-Ads officer, at T-Mobile, JP Colaco.

Senior vice president and chief T-Ads officer, at T-Mobile, JP Colaco.

Empire building

T-Mobile’s acquisition of Vistar Media isn’t just a purchase, it’s a strategic siege on the DOOH market. By merging Vistar’s programmatic prowess with its own data goldmine, T-Mobile is poised to deliver a hyper-targeted, measurable out-of-home experience.

Think seamless digital-to-physical campaign integration, amplified by precise audience insights, a direct challenge to traditional OOH measurement.

Blis strengthens T-Mobile’s ability to deliver precise, cookie-free omnichannel advertising, giving brands a future-proof way to target audiences. The platform’s seamless connection to ad inventory across all screens ensures advertisers can navigate a fragmented media landscape while maximising reach.

“Joining T-Mobile marks an exciting new chapter for Blis and a significant step forward in our mission to reshape advertising with privacy-first, future-proof technology,” said Blis CEO Greg Isbister.

Blis CEO Greg Isbister.

Blis CEO Greg Isbister.

“With Blis’ advanced omnichannel targeting capabilities alongside T-Mobile’s scale and rich dataset, we’re even better positioned to directly connect advertisers to premium inventory across all screens. As traditional signals reduce, we’re proud to be at the forefront of innovation, ensuring advertisers can continue to reach and engage audiences effectively.”

T-Mobile consumer chief marketing officer, Vinayak Hegde, says the company already manages “complex campaigns across multiple business units and products”.

“That means we need ad solutions that are both consumer-friendly and capable of delivering results at scale. Our early pilots with Blis showed us the power of its addressability, especially on mobile devices where standard identifiers fall short. It’s a key addition to our broader suite of ad tech partners and we’re excited about its potential – not just for T-Mobile’s own campaigns, but for other marketers as well.”

Customer needs

T-Mobile’s “Un-carrier” strategy extends beyond mobile plans; it’s a blueprint for leveraging its core assets – network, customer data, and brand – to conquer new markets. The company’s advertising division, already a billion-dollar revenue stream, is now supercharged by strategic acquisitions, proving T-Mobile’s ability to turn infrastructure into profit beyond connectivity.

The company says the Vistar and Blis deals aren’t just about expanding reach; they’re about financial engineering. T-Mobile projects an immediate $250 million revenue boost, with substantial EBITDA and free cash flow gains, exceeding initial financial forecasts.

Ultimately, T-Mobile is transforming from a telco to an advertising ecosystem. By integrating acquired tech with its existing infrastructure, the company is positioning itself as a key player in the data-driven advertising space.

T-Mobile paid approximately $175 million in cash to acquire Blis, before customary adjustments. The transaction successfully closed on March 3, 2025. T-Mobile’s acquisition of Vistar Media was completed on February 3, 2025.

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VMO launches Social Journeys to bridge social media and outdoor advertising

By Natasha Lee

Sabarish Chirakkal: ‘We’re enabling brands to extend their social campaigns to connect with consumers in impactful ways’.

VMO has launched “Social Journeys,” a programmatic outdoor solution designed to enable brands to extend their social media campaigns across VMO’s outdoor network in Australia and New Zealand.

VMO’s network encompasses over 10,000 screens in 2,000 locations, including shopping centres, petrol stations, convenience stores, health and wellness clubs, and office towers.

“Social Journeys” utilizes programmatic audience targeting to facilitate precise connections with audiences within VMO’s environments, aiming to reduce campaign waste.

VMO has partnered with Nova, a creative automation company, to allow brands to adapt existing social media creative for VMO’s screen network, streamlining the artwork development process.

Advertisers can also create cross-platform partnerships between VMO and Val Morgan Digital’s publications, including The Latch, POPSUGAR, BuzzFeed, Tasty, LADbible, and SPORTbible, to extend digital campaigns into relevant VMO locations, potentially increasing reach and campaign performance.

Director of programmatic at VMO Sabarish Chirakkal said: “We have consistently challenged conventions and redefined the possibilities of programmatic outdoor, and with Social Journeys, we take another bold step forward in doing outdoor differently.

“We’re enabling brands to extend their social campaigns to connect with consumers in impactful ways, blending data-driven insights, dynamic storytelling, and real-world engagement to create truly immersive and meaningful outdoor experiences,” he added.

Meanwhile, Gavin Merwood, GM – APAC of Nova added: “At Nova, we lead the Social Display and video category, enabling brands to run their top-performing social ads across the open web. We’ve launched the industry’s first scalable creative automation solution for Connected TV. This marks our first global collaboration in DOOH, and we’re excited to partner with VMO, a leader in programmatic digital outdoor in Australia and New Zealand to help advertisers seamlessly activate their social campaigns into the physical world.”

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Andrea Martens - ADMA - IWD - Beyond quotas: The playbook for women in marketing leadership
Beyond quotas: The playbook for women in marketing leadership

By Andrea Martens, chief executive officer, ADMA

‘Women in marketing are ready to lead. Now, businesses must step up and provide the structured support to make that happen.’

Early in my career, I learned that waiting for opportunities to come my way wasn’t a strategy – it was a gamble. And as the old adage goes, the house always wins. In those days women in the workforce were definitely not ‘the house’.

I myself realised early in my career that if I wanted to move beyond marketing expertise and into true business leadership, I needed to take control of my own development.

That meant upskilling in areas that weren’t traditionally associated with marketing – financial literacy, negotiation, operational leadership. It wasn’t easy – in fact, it was intimidating – but it was necessary. And now, more than ever, women in marketing need to take that same approach.

The Workplace Gender Equality Agency has even recently published research warning that some of the best paid industries in Australia are facing a “promotion problem”. It revealed that in every industry, men are more likely to be employed in the highest earning roles, proportionate to their workforce, while in 17 out of 19 industries, women are overrepresented in the lowest earning quartile, compared to their representation in the industry.

This report highlighted a critical issue. Overwhelmingly, women simply aren’t being employed in the most senior and highest-earning positions in their companies.

We have seen how diversity policies have changed very rapidly overseas. While Australia is somewhat insulated from these changes for now, we can expect to feel the ramifications at some point.

That means there has never been a more critical time for women to take charge of their education. As diversity policies shift globally, the burden now falls on women to ensure they are positioned for leadership and prove, beyond a doubt, why they are capable. But businesses also have a responsibility.

While we have made progress in gender representation at entry and mid-level roles, the number of women in senior leadership remains significantly lower than men. Women face distinct challenges in career progression, from biases in performance evaluations to a lack of visibility in decision-making rooms.

And while mentorship has long been a tool to help women navigate these obstacles, it’s no longer enough. Women must be proactive in their own career growth – actively seeking opportunities, backing themselves and taking responsibility for their own advancement.

It’s time for businesses to move beyond quotas and mentorship programs and instead create a structured playbook that actively sponsors and equips women with the leadership skills they need, and want, to thrive.

Why skills matter more than confidence

An oft-quoted Hewlett Packard study found that men apply for jobs when they meet only 60% of the qualifications, while women apply only when they meet 100%. For years, this statistic has been used to push women to be more confident.

But confidence only gets you so far. The real problem is that women, too often, aren’t receiving the training necessary to feel equipped for leadership roles.

Education is power, but education must be strategic. Women in marketing must move beyond mastering their craft and proactively build skills that prepare them for leadership. This means gaining expertise in financial and business acumen, negotiation, and operational decision-making.

However, women must also have a clear vision of where they want to go and use their skills development to help define that path. Women must be willing to take the necessary steps to drive toward their goal, no matter how many setbacks they face.

That includes having the drive to constantly seek out further education for themselves, beyond what their core role requires.

To ensure more women reach senior leadership, businesses can actively invest in their development through:

• Executive coaching that builds leadership presence
• Training in financial and business strategy to navigate boardroom conversations.
• Exposure to cross-functional leadership roles that provide real-world commercial impact.

It’s for this reason ADMA created the Capability Compass – to remove the guesswork from the learning and development. In this rapidly-evolving landscape, marketers need to stay on top of their own skillset more than ever, but unfortunately, upskilling often falls by the wayside.

But leveraging tools like this will help marketing leaders support their team in their long-term career progression and identify clearly where their employees still need to grow – ensuring we are providing support far beyond someone’s entry to a business.

Andrea Martens - iwd

Andrea Martens

Sponsorship over mentorship: Creating real pathways to leadership

Mentorship is valuable, but it is often passive – offering advice rather than action. Sponsorship, on the other hand, is about advocacy and creating real-world opportunities.

A sponsor is someone in a senior role who actively puts forward high-potential women for leadership opportunities, ensures they are included in key business decisions and puts their names forward for executive roles.

But sponsorship is also a two-way street. To make the most of this relationship, women need to take the initiative to engage their sponsors, articulate their ambitions and demonstrate the drive necessary to make leadership a reality. It’s by this true collaboration that women and their sponsors alike can both benefit.

The marketing industry in general needs more sponsors, not just mentors. Women need leadership exposure to step into executive positions and businesses must actively create these opportunities rather than waiting for women to push their way in.

It’s these sponsors who can share crucial information about the leadership skills women in marketing really need in order to be able to progress to the C-suite.

And in my experience, the strategic skills women in marketing should develop include:

• Negotiation: I cannot overstate how important it is for women to have the ability to advocate for themselves. Not only is this important in salary discussions, it will also be crucial when it comes to securing funding and making high-stakes decisions.
• Financial literacy: While many marketers often have a basic understanding of how a business runs, this foundational knowledge isn’t enough for those who wish to hold more senior roles. Understanding P&L, revenue models and how marketing contributes to business success are all extremely important areas to learn.
 Influence and persuasion: These soft skills are often just as important as the hard ones and will help with aligning marketing strategies with C-suite priorities and business growth.
 Operational leadership: Exposure to the wider business beyond the marketing function will ensure these women are prepared to take on broader business responsibilities.

While quotas have helped improve gender diversity, they are only the first step. The next phase requires businesses to focus on leadership development initiatives that ensure women are prepared to lead when they reach senior roles.

This shift also requires businesses to recognise that leadership in marketing requires much more than just mastering one or two of the four Ps – it’s about all-around business skills. Women must balance resilience, tenacity and determination with warmth, care and a sense of humour – qualities that should define all great leaders, regardless of gender.

This shift also requires businesses to recognise that leadership in marketing requires much more than just mastering one or two of the four Ps – it’s about all around business skills.

Companies must reframe their approach from simply hiring women to fill a gap to actively training and sponsoring them for leadership roles. This means implementing targeted leadership programs, fostering sponsorship networks and ensuring women have opportunities to lead high-impact, cross-functional projects.

Women in marketing are ready to lead. Now, businesses must step up and provide the structured support to make that happen.

Top image: Andrea Martens

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connect by Live Nation
Live Nation rebrands Secret Sounds Connect to strengthen music sponsorship and brand partnerships

By Emma Shepherd

Kristy Rosser: ‘Our ability to tap into Live Nation’s global network gives brands unprecedented access to artists, real-time audience insights, trends, and an experienced team who are deep-rooted in the industry.’

Live Nation has unveiled a new chapter for its sponsorship, creative, and experiential agency, rebranding Secret Sounds Connect to Connect by Live Nation. The move cements the agency’s position as Australia’s most connected music and entertainment marketing agency, leveraging the power of the world’s largest live entertainment company to drive deeper brand partnerships with artists, events, and fans.

The rebrand reflects Connect by Live Nation’s full integration within the Live Nation Entertainment ecosystem, offering brands unprecedented access to global artists, venues, and festivals, exclusive real-time audience insights via Ticketmaster’s fan behaviour data, proprietary research on music trends and cultural shifts, and a dedicated team with deep-rooted expertise in the music industry.

A new era for brand and music partnerships

Kristy Rosser, senior vice president, marketing solutions and client services at Live Nation Australia and New Zealand (ANZ), founded Secret Sounds Connect in 2009 and has been instrumental in shaping how brands engage with live music audiences. She sees the rebrand as a natural evolution in the agency’s journey.

“Our evolution to Connect by Live Nation represents our ongoing commitment to amplifying brand and fan experiences in the incredible world of music. Our ability to tap into Live Nation’s global network gives brands unprecedented access to artists, real-time audience insights, trends, and an experienced team who are deep-rooted in the industry,” Rosser said. “It’s an exciting time to be rebranding after a record year at Live Nation globally and an exciting year ahead.”

With offices across Australia, Connect by Live Nation is a full-service agency providing talent partnerships, sponsorship strategy, creative and experiential marketing, insights and research, and strategic planning. The agency is renowned for its data-driven approach, using research to help brands authentically engage with audiences. One of its standout initiatives is ‘Love Song’, an annual study that deciphers Gen Z music trends and how brands can build cultural credibility in the space.

Why brands are investing in music like never before

Long-term partners such as Smirnoff, Red Bull, and Lion have benefited from Connect by Live Nation’s expertise in weaving brands into music culture through festival activations, artist collaborations, and exclusive presale offers.

Live Nation’s research consistently shows that music is the number one passion point for audiences, and the most effective way for brands to build lasting connections.

“Now, more than ever, people crave real-life connection through shared experiences,” Rosser said. “When done right, fans wholeheartedly welcome brands into their world, creating long-term loyalty by tapping into their passions. We all remember our first live music experience, being part of those irreplaceable moments is an unrivalled opportunity for brands.”

With Connect by Live Nation, brands now have a direct pipeline into the beating heart of Australia’s music culture, leveraging live experiences, artists, and data to forge deeper, more meaningful connections.

Historic bikini protest recreated as Stan’s Ten Pound Poms returns for second season

Stan revived the spirit of a protest from the 1950s where women fought restrictive dress codes.

Sydney’s Bondi Beach was transformed into a striking tribute to Australia’s history of women’s rights activism, as the cast of the new Stan Original series Ten Pound Poms gathered for a unique event ahead of International Women’s Day.

The show’s second season premieres on March 10, and Stan revived the spirit of a protest from the 1950s, where women fought restrictive dress codes that banned them from wearing bikinis on the beach.

In an old red London bus, the protesters travelled around the eastern suburbs with the protesters to publicise the show.

Some of the Ten Pound Poms cast Stephen Curry, Tina Bursill, Cheree Cassidy, Maya Stange, and Grant Lyndon were joined by 35 women wearing authentic 1950s swimsuits. With period-accurate hair and makeup, the women stepped off a vintage red double-decker bus and marched onto Bondi Beach waving placards.

Girls waving placards at Bondi Beach

The activation publicised the new season of Ten Pound Poms ahead of International Women’s Day.

Reflecting on the moment, actor Stephen Curry said, To bring these characters and this rich part of our history back to our screens for season 2 is pure joy. Ten Pound Poms is a timeless piece of television, and I’m thrilled to be part of an incredible cast.”

The new season of Ten Pound Poms, is created and written by BAFTA award-winning Danny Brocklehurst (Fool Me Once, Ordinary Lies, Brassic), and revisits the challenges faced by British migrants arriving in Australia. This season picks up where the last ended but there’s a renewed focus on the restrictions women endured in the 1950s.

Red London bus with protestors publicising Ten Pound Poms

The new season of Ten Pound Poms starts on March 10 on Stan.

Returning for the second season are Michelle Keegan (Fool Me Once, Brassic), Warren Brown (The Responder, Luther), Faye Marsay (Game of Thrones, Black Mirror), Rob Collins (Mystery Road, Firebite), Leon Ford (Elvis, The Light Between Oceans), Declan Coyle (Long Black, Life of Jess), Hattie Hook (Savage River, Of An Age), Finn Treacy (The Stan Original Film The Portable Door, Young Rock), Emma Hamilton (The Tudors, Mr Selfridge), and Cheree Cassidy (Underbelly, The Time of Our Lives).

Season two also introduces new characters, including Marcus Graham (Myall Creek: Day of Justice) as the unscrupulous landlord Benny Bates and the Skinner family, played by Sam Delich (Spiderhead), Maya Stange (Love Child), Tommy Green, and Clare Hughes (Ladies in Black), who arrive from Ireland seeking a fresh start in Australia.

Cast of Ten Pound Poms with protestors in bikinis

Produced by Eleven (Sex Education, Red Rose) for BBC iPlayer and BBC One in the UK, Ten Pound Poms is a co-production between BBC and Stan.

Danny Brocklehurst is also executive producer alongside Ryan Griffen (Cleverman) and Smita Bhide (The Indian Detective). The series is directed by Ana Kokkinos (Fires, The Hunting) and Tom McKay (Jerk, Bloods), with Karl Zwicky as series producer.

Executive producers include Joel Wilson, Olivia Trench, Sophie Williams, Jamie Campbell (Eleven), Gaynor Holmes (BBC), and Cailah Scobie and Amanda Duthie (Stan).

The brand-new season of the Stan Original Series Ten Pound Poms premieres March 10, with all episodes available at once, exclusively on Stan. Season one is now streaming on the platform.

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SEN expands NRL coverage in 2025 with more live broadcasts and new shows

By Natasha Lee

Craig Hutchinson: ‘We are incredibly proud of the line-up we have put together to cover the 2025 NRL season’.

Sports Entertainment Network (SEN) will increase its NRL coverage in 2025, broadcasting four matches per weekend and introducing SEN Stadium in-venue coverage at all games.

The 2025 NRL Premiership season broadcast team will feature commentators including Brett Kimmorley, Scott Sattler, Justin Horo, Tim Mannah, Andrew McCullough, Adam Blair, Mark Carroll, Corey Parker, and Gary Freeman. Play-by-play commentary will be provided by Joel Caine, Brenton Speed, Jimmy Smith, and Mark Braybrook. These individuals will join existing weekday hosts and personalities such as Matty Johns, Denan Kemp, Michelle Bishop, Bryan Fletcher, Matthew White, Corey Parker, and Matt Rogers.

SEN will launch “Saturday League Kick-Off,” hosted by Scott Sattler and Andrew Webster. The show will be simulcast on Fox Sports from 10am on Saturdays, beginning 15 March, with a radio-only launch on 8 March. Support shows such as “Crunch Time NRL,” airing Saturdays and Sundays, will return. The Saturday edition will be hosted by Sattler and Webster, along with the Saturday NRL call team, and the Sunday edition will be hosted by Jimmy Smith and Justin Horo.

SEN 1170AM will continue to be the primary broadcast platform, with SENQ 693AM and Gold Coast 1620AM also broadcasting up to four games weekly. The Super Radio and Resonate Networks will carry two games per week, typically on Thursdays and Fridays. A complete list of participating stations will be available.

Listeners can access live broadcasts of four matches per weekend via SEN Fanatic and the SEN App. Parochial broadcasts for Brisbane Broncos and Melbourne Storm games will be available through “Broncos Radio” and “Storm Radio,” respectively. SEN Stadium will provide in-venue commentary, and SEN Sync will offer a synchronised audio experience for viewers watching television broadcasts.

SEN CEO, Craig Hutchison, said he’s excited for the 2025 NRL Premiership season.

“We are once again incredibly proud of the line-up of talent and programming we have put together to cover the 2025 NRL season,” Hutchinson said.

“At SEN, we aim to continuously innovate and provide the best possible experience for our listeners, maintaining our commitment to delivering high-quality products covering the NRL across the board.”

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Josh Taylor Dadds - TBWA
TBWA\Sydney names new head of strategy

By Alisha Buaya

Josh Taylor Dadds: ‘Disruption is an inspiring philosophy—it unleashes outrageous creativity while ensuring work is ruthlessly effective for clients.’

TBWA\Sydney, has appointed Josh Taylor Dadds as its new head of strategy.

Taylor Dadds, originally from the UK, joins from Special New Zealand, where he served as the group strategy director for the past five years and helped the agency win Effectiveness Agency of the Year at both the NZ and APAC Effie Awards.

In his tenure with Special NZ, he led the strategy output for a range of regional and global clients including Entain Group ANZ, Optus, and Tourism New Zealand. Most recently, he helped local beer brand Export Ultra enlist Vanilla Ice to save New Zealanders from freezing their beers over summer.

he will report to Michael Hogg who was announced last week as the chief strategy officer for the Group which includes TBWA, Eleven, Fleishman Hillard, Fabric, +61 for Telstra and TBWA/Media Arts Lab.

Prior to his time at Special, Taylor Dadds was a strategy director at TBWA\New Zealand, where he worked on some of the nation’s biggest brands, including 2degrees, Southern Cross Health Insurance, and ANZ.

Taylor Dadds said of joining the agency: “I love TBWA (…never been one to play it cool). Disruption is an inspiring philosophy—it unleashes outrageous creativity while ensuring work is ruthlessly effective for clients. I saw that firsthand with the crew at TBWA\New Zealand, and I’m so excited to be back in the fold.”

“I was lucky enough to meet a few people at the agency before joining, and everyone has been an absolute legend. Getting to work with Paul, Elektra, Michael and the rest of the crew all while calling Sydney home (the second-best city in the world, after London) is a dream come true.”

Paul Bradbury, CEO & President, TBWA\Australia and New Zealand, added: “Josh is a big talent, and a champion for disruptive, innovative strategic thinking. We are really excited to have him back at TBWA.”

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Tech

Meta’s news block stirs controversy as Cyclone Alfred looms

Meta has restricted Facebook search results for “Cyclone Alfred,” raising concerns as the tropical storm barrels toward Australia’s east coast. The move, a byproduct of its ongoing standoff over news content, limits access to vital emergency updates.

As the ABC’s Michael Workman and Kevin Nguyen report, Facebook can be a critical tool for crisis communication in Australia, helping authorities disseminate evacuation orders and safety alerts.

But with Meta’s news block in place, users searching for cyclone updates may struggle to find official information.

[Read more]

Tech giants rake in billions from Aussies as Greens push for digital tax

Australia’s biggest tech players are pulling in a massive $26.7 billion annually, according to fresh Parliamentary Budget Office figures. The Greens argue it’s time they pay more, proposing a 3% levy on digital services that could generate over $11 billion in revenue.

As Josh Taylor writes in The Guardian, the analysis, commissioned by the Greens, reveals Google alone made $8.7 billion from advertising and cloud services in 2022-23, while Microsoft, Meta, and Amazon collectively pocketed billions across various sectors.

Despite their soaring earnings, the companies pay minimal local tax.

[Read more]

Google’s AI under fire for potential deepfake abuse

Google’s AI model, Gemini, is facing scrutiny after a report from the eSafety Commissioner suggested it may be generating deepfake child exploitation and extremist content. The findings raise fresh concerns about AI’s role in producing harmful material that could evade platform moderation.

As Tess Bennett reports in The Australian Financial Reviewaccording to the report, Google received 86 global reports of suspected AI-generated child abuse content between April 2023 and February 2024. Users also flagged 258 cases of potential deepfake terrorist and extremist material in the same period – highlighting the risks of unregulated AI tools.

With platforms like Google and OpenAI investing heavily in generative AI, regulators warn these systems could be weaponised for illicit content creation.

Publications

Guardian’s political editor missing in action as election looms

The Guardian Australia’s political editor, Karen Middleton, has been absent for nearly three months, leaving staff and readers questioning her status ahead of a pivotal federal election. The prolonged leave follows reported tensions in the Canberra bureau, but management remains tight-lipped.

As Calum Jaspan writes in The Sydney Morning Herald, despite her absence from the publication, Middleton has kept up her regular gig as Australian correspondent for Radio New Zealand, where she recently covered election speculation, China’s military activity, and even an NRL drama in Las Vegas.

Her continued presence on RNZ raises questions about her future at the British-owned publication.

Television

Nine under pressure to offload Domain to US giant CoStar

Nine Entertainment’s biggest institutional investor, Pendal, is urging the media company to explore a sale of its property platform, Domain, to US real estate powerhouse CoStar. The push comes as Nine weighs its strategic options following an unexpected takeover bid last month

As Sam Buckingham-Jones writes in The Australian Financial Review, Pendal, which holds a 7.6% stake in Nine – second only to billionaire Bruce Gordon – met with acting CEO Matt Stanton after the company’s half-year results.

The fund manager made its stance clear: CoStar’s offer deserves serious consideration.

[Read more]

Calls grow for crackdown on Iran-backed media in Australia

Liberal senator Dave Sharma is pushing Foreign Affairs Minister Penny Wong to enforce sanctions on Iran-backed broadcaster Press TV, which continues to operate in Australia despite being listed under the sanctions regime.

As Noah Yim writes in The Australian, the network recently made headlines after interviewing Labor defector Fatima Payman, who controversially claimed women in Iran were treated better than in the West. Payman has since apologised, distancing herself from what she called a pro-Iran “propaganda” event.

Sharma has formally urged Wong to conduct a full investigation into Press TV’s presence, questioning why a government-sanctioned outlet is still active.

[Read more]

Brands

Virgin Australia names new CEO as airline enters next phase

Virgin Australia has appointed Dave Emerson as its new chief executive, ending a year-long leadership transition. Emerson, the airline’s chief commercial officer since 2021, will officially step into the role on 14 March, succeeding Jayne Hrdlicka.

As Chantelle Francis writes for news.com.au, while Hrdlicka is stepping down, she will remain with the company for a few months to support the transition. Emerson, who played a key role in Virgin’s post-administration revival, says the airline is now well-positioned for growth.

“Our strategy is paying off,” Emerson said, highlighting plans to expand long-haul international routes and enhance domestic services.

TEG CEO confirms he’s not leaving

Despite industry speculation about leadership changes, TEF CEO Geoff Jones isn’t stepping aside.

As James Manning writes in The Australian, Jones has been at the helm since 2011 and, as a shareholder, he remains committed to TEG while also chairing SXSW Sydney.

Speculation about his future ramped up amid a shake-up at SXSW Sydney. Former managing director Colin Daniels has exited, but stays on the board while launching Handsome Tours, TEG’s boutique live division.

[Read more]

ABC’s Nick Leys exits to join Melbourne’s Town Hall

ABC’s head of communications, Nick Leys, is leaving the public broadcaster to take on a new role as chief of staff for Melbourne Lord Mayor Nick Reece. The former News Corp journalist has spent the past decade managing Aunty’s media strategy, with a brief detour at the Australian Energy Council.

As both Tom Cowie and Kishor Napier-Raman report for The Age, Reece, a former ALP state secretary, secured the mayoralty in last year’s Victorian council elections with a commanding 61.5% of the vote after preferences.

He’s now bringing Leys into his inner circle, calling him “one of the best behind-the-scenes operators in Australia.”

[Read more]

NRL’s Vegas gamble pays off with US ratings boost

The NRL’s Las Vegas experiment delivered a significant ratings win, with 371,000 American free-to-air viewers tuning in for the Raiders-Warriors clash on Fox – marking a massive jump from last year’s numbers, when just 61,000 watched the season opener. The boost comes as the league looks to expand its footprint in the lucrative US sports market.

As Frances Howe and Michael Chammas report in The Sydney Morning Herald, unlike previous years, this was the first time an NRL premiership match aired on a free-to-air network in the US, giving the game unprecedented exposure. The other three Vegas matches remained behind a paywall on Fox Sports 1, where they struggled to gain traction.

Despite the ratings jump, the NRL still has work to do. With Fox reaching 125 million homes, less than 0.5% of its potential US audience actually tuned in.

[Read more]

NRL eyes streaming giants as next broadcast deal looms

As the NRL prepares to renegotiate its media rights, chief executive Andrew Abdo is keeping a close watch on streaming giants like Netflix, Amazon, and Disney+, which are increasingly investing in live sports. While competition is welcome, Abdo warns against fragmenting coverage across too many platforms, risking fan frustration.

As Sam Buckingham-Jones reports in The Australian Financial Review, currently split between Nine and Foxtel, the NRL’s rights deal expires in 2027, and global players are circling.

Netflix recently tested live sports with a Jake Paul-Mike Tyson fight, while sports streamer DAZN has snapped up Foxtel, positioning itself as a major Australian player.

[Read more]

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